入侵式摇滚--默西之声 Merseybeat
了解更多的音乐风 格对于职业DJ来讲是很重要的，不仅要对自己领域内的音乐风格了如指掌还要适当的对其他风格的音乐有所了解，作为一名职业DJ，在学DJ初期都会接触一些 不错的类型风格音乐，其中就包含摇滚乐，很多喜欢变形精钢的朋友我想都对林肯公园不陌生，他们的摇滚乐让这部好看的电影更添了几分色彩。
本期介绍的是“默西之声 Merseybeat”，顶尖DJ学校收集整理了一些不同风格的音乐的介绍和示例，在此展示给大家互相交流，了解更多请百度“合肥顶尖DJ培训中心”！选择知名DJ学校，教学有保障，来合肥顶尖DJ学校！
默西之声 Merseybeat
默西之声是英式入侵的音乐源头，它强劲而有旋律性，是美国的摇滚与R&B,以及英国的噪音爵士的混合体。披头士早期的唱片，如"Please Please Me" 和 "Love Me Do" ，就是这种流派的原型。不久之后，其它一些利物浦的乐队，如Gerry & the Pacemakers, Billy J. Kramer, 和 the Searchers也追随了此种风格。它之所以被称为“默西之声”是因为利物浦那条叫默西的河，此种风格在整个1963年和1964年的前半年极其风靡。 但没过多久，一些R&B导向的乐队，如the Rolling Stones, the Kinks, 和 the Yardbirds出现了，同时出现的还有一些流行团体，如the Hollies 和 Freddie & the Dreamers。虽然这些团体都受到了默西之声的影响，但是这种风格本身却渐渐失去了根基，而披头士乐队也将他们的风格形式扩展到了更广的范围。
Merseybeat is a light, highly melodic style of Beat Music popular in the UK during the early 1960s, named due to the abundance of bands from Liverpool beside the River Mersey. Merseybeat groups characteristically had simple guitar-dominated line-ups, with close vocal harmonies and catchy tunes. The resulting sound is chirpy, bouncy and simplistic, drawing influences from Rock & Roll, British Rhythm & Blues and late 1950s/early 1960s singles by acts such as Buddy Holly & The Crickets and Cliff Richard & The Shadows. The release of The Beatles' "Love Me Do" in October 1962 is an important focal point for the huge popularity of the sound between 1963 and 1965 in the UK (and the early first 'British Invasion' in the USA), with bands such as Gerry and The Pacemakers, Billy J. Kramer & The Dakotas, The Searchers, The Merseybeats and The Fourmost achieving consistent success in the hit parade.
The most popular line-up comprised of lead, rhythm and bass guitars with drums. It is typified by the synchronization of the bass guitar (usually playing only the root and fifth notes of the chords) and the bass drum. Unlike in rock & roll, Merseybeat groups often incorporate two and three-part harmonies, and even those with a separate lead singer will often sing both verses and choruses in close harmony; the Liverpool accent also has a major role in the distinctive overall sound. Although there are instrumental breaks, the focus is on the presentation of the song rather than instrumental prowess.
It is important to note that merseybeat is not simply a synonym for "any beat music made by Liverpudlian bands". This is exemplified by the rougher, more proto-Garage Rock sounds of "Walking the Dog" by The Dennisons and "Peter Gunn Locomotion" by Freddie Starr and The Midnighters.
Merseybeat is a light, highly melodic style of Beat Music popular in the UK during the early 1960s, named due to the abundance of bands from Liverpool beside the River Mersey. Merseybeat groups characteristically had simple guitar-dominated line-ups, with close vocal harmonies and catchy tunes. The resulting sound is chirpy, bouncy and simplistic, drawing influences from Rock & Roll, British Rhythm & Blues and late 1950s/early 1960s singles by acts such as Buddy Holly & The Crickets and Cliff Richard & The Shadows. The release of The Beatles' "Love Me Do" in October 1962 is an important focal point for the huge popularity of the sound between 1963 and 1965 in the UK (and the early first 'British Invasion' in the USA), with bands such as Gerry and The Pacemakers, Billy J. Kramer & The Dakotas, The Searchers, The Merseybeats and The Fourmost achieving consistent success in the hit parade.
The most popular line-up comprised of lead, rhythm and bass guitars with drums. It is typified by the synchronization of the bass guitar (usually playing only the root and fifth notes of the chords) and the bass drum. Unlike in rock & roll, Merseybeat groups often incorporate two and three-part harmonies, and even those with a separate lead singer will often sing both verses and choruses in close harmony; the Liverpool accent also has a major role in the distinctive overall sound. Although there are instrumental breaks, the focus is on the presentation of the song rather than instrumental prowess.
It is important to note that merseybeat is not simply a synonym for "any beat music made by Liverpudlian bands". This is exemplified by the rougher, more proto-Garage Rock sounds of "Walking the Dog" by The Dennisons and "Peter Gunn Locomotion" by Freddie Starr and The Midnighters.
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