电子舞曲代表风格之科技舞曲 Techno
了解更多的音 乐风 格对于职业DJ来讲是很重要的，不仅要对自己领域内的音乐风格了如指掌还要适当的对其他风格的音乐有所了解，作为一名职业DJ，在学DJ初期都会接触一些 不错的类型风格音乐，其中就包含摇滚乐和电子乐，很多喜欢变形精钢的朋友我想都对林肯公园不陌生，他们的摇滚乐让这部好看的电影更添了几分色彩。
本期介绍的是“科技舞曲 Techno”，顶尖DJ学校收集整理了一些不同风格的音乐的介绍和示例，在此展示给大家互相交流，了解更多请百度“合肥顶尖DJ培训中心”！选择知名DJ学校，教学有保障，来合肥顶尖DJ学校！
科技舞曲 Techno
Techno起源于70年代处（后工业时代），BPM约在130拍以上，中文翻译成“工业舞曲”。House相比Techno要早出现，因为工业时代较电子时代来得早。
Technology， 即表示“高科技舞曲”啦！利用电脑，合成器合成，做出一些特殊音效，这种音乐常常是许多音效组合起来的。 Techno的节拍也是4/4拍，但速度较House快，且听起来具重复性，较强硬，较机械化，所以某些人称Techno为“工业噪音”，但某些还是会注 重旋律的。
在典型的Techno舞曲中常要听到工厂中一些重复、机械、固定和单调的音效影子。90年代Techno开始在欧洲逐渐趋于普及，也是我国北方舞厅舞曲的主要组成。Techno较一般舞曲隆重、激烈和嘈杂。
90年代Techno开始在欧洲逐渐趋于普及，也是我国北方舞厅舞曲的主要组成。Techno较一般舞曲隆重、激烈和嘈杂。TECHNO/TECHNO HOUSE来源于80年代中期的底特律和芝加哥，在80年代中晚期还只是地下的非主流音乐，到了89－92年间已成为美国舞潮的主宰者。其特点是：电子合 成键盘的强烈电子声、比利时风格的贝斯击乐声、紧凑、狂乱的能量输出及动感，维持在130－150BPM的节奏。NEW BEAT TECHNO舞曲的欧州分支，节奏更重一些。流行于比利时，受到INDUSTRIAL和HI－NRG音乐的影响。
Techno起源于美国底特律，有三名DJ： Derrick May，Kevin Saunderson Juan Atkins尝试将电子乐与黑人音乐结合，而产生了Detroit Techno。 Detroit Techno通常较平缓， 不像一般的Techno那样强劲，可说是现代Techno的起源。
Techno had its roots in the electronic house music made in Detroit in the mid-'80s. Where house still had explicit connection to disco even when it was entirely mechanical, techno was strictly electronic music, designed for a small, specific audience. The first techno producers and DJs -- Kevin Saunderson, Juan Atkins, and Derrick May, among others -- emphasized the electronic, synthesized beats of electro-funk artists like Afrika Bambaataa and synth-rock units like Kraftwerk. In the United States, techno was strictly an underground phenomenon, but in England, it broke into the mainstream in the late '80s. In the early '90s, techno began to fragment into a number of subgenres, including hardcore, ambient, and jungle. In hardcore techno, the beats-per-minute on each record were sped up to ridiculous, undanceable levels -- it was designed to alienate a broad audience. Ambient took the opposite direction, slowing the beats down and relying on watery electronic textures -- it was used as come-down music, when ravers and club-goers needed a break from acid house and hardcore techno. Jungle was nearly as aggressive as hardcore, combining driving techno beats with breakbeats and dancehall reggae -- essentially. All subgenres of techno were initially designed to be played in clubs, where they would be mixed by DJs. Consequently, most of the music was available on 12-inch singles or various-artists compilations, where the songs could run for a long time, providing the DJ with a lot of material to mix into his set. In the mid-'90s, a new breed of techno artists -- most notably ambient acts like the Orb and Aphex Twin, but also harder-edged artists like the Prodigy and Goldie -- began constructing albums that didn't consist of raw beats intended for mixing. Not surprisingly, these artists -- particularly the Prodigy -- became the first recognizable stars in techno.
Technology， 即表示“高科技舞曲”啦！利用电脑，合成器合成，做出一些特殊音效，这种音乐常常是许多音效组合起来的。 Techno的节拍也是4/4拍，但速度较House快，且听起来具重复性，较强硬，较机械化，所以某些人称Techno为“工业噪音”，但某些还是会注 重旋律的。
在典型的Techno舞曲中常要听到工厂中一些重复、机械、固定和单调的音效影子。90年代Techno开始在欧洲逐渐趋于普及，也是我国北方舞厅舞曲的主要组成。Techno较一般舞曲隆重、激烈和嘈杂。
90年代Techno开始在欧洲逐渐趋于普及，也是我国北方舞厅舞曲的主要组成。Techno较一般舞曲隆重、激烈和嘈杂。TECHNO/TECHNO HOUSE来源于80年代中期的底特律和芝加哥，在80年代中晚期还只是地下的非主流音乐，到了89－92年间已成为美国舞潮的主宰者。其特点是：电子合 成键盘的强烈电子声、比利时风格的贝斯击乐声、紧凑、狂乱的能量输出及动感，维持在130－150BPM的节奏。NEW BEAT TECHNO舞曲的欧州分支，节奏更重一些。流行于比利时，受到INDUSTRIAL和HI－NRG音乐的影响。
Techno起源于美国底特律，有三名DJ： Derrick May，Kevin Saunderson Juan Atkins尝试将电子乐与黑人音乐结合，而产生了Detroit Techno。 Detroit Techno通常较平缓， 不像一般的Techno那样强劲，可说是现代Techno的起源。
Techno had its roots in the electronic house music made in Detroit in the mid-'80s. Where house still had explicit connection to disco even when it was entirely mechanical, techno was strictly electronic music, designed for a small, specific audience. The first techno producers and DJs -- Kevin Saunderson, Juan Atkins, and Derrick May, among others -- emphasized the electronic, synthesized beats of electro-funk artists like Afrika Bambaataa and synth-rock units like Kraftwerk. In the United States, techno was strictly an underground phenomenon, but in England, it broke into the mainstream in the late '80s. In the early '90s, techno began to fragment into a number of subgenres, including hardcore, ambient, and jungle. In hardcore techno, the beats-per-minute on each record were sped up to ridiculous, undanceable levels -- it was designed to alienate a broad audience. Ambient took the opposite direction, slowing the beats down and relying on watery electronic textures -- it was used as come-down music, when ravers and club-goers needed a break from acid house and hardcore techno. Jungle was nearly as aggressive as hardcore, combining driving techno beats with breakbeats and dancehall reggae -- essentially. All subgenres of techno were initially designed to be played in clubs, where they would be mixed by DJs. Consequently, most of the music was available on 12-inch singles or various-artists compilations, where the songs could run for a long time, providing the DJ with a lot of material to mix into his set. In the mid-'90s, a new breed of techno artists -- most notably ambient acts like the Orb and Aphex Twin, but also harder-edged artists like the Prodigy and Goldie -- began constructing albums that didn't consist of raw beats intended for mixing. Not surprisingly, these artists -- particularly the Prodigy -- became the first recognizable stars in techno.
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