电子音乐三大代表风格指迷幻舞曲 Trance
了解更多的音 乐风 格对于职业DJ来讲是很重要的，不仅要对自己领域内的音乐风格了如指掌还要适当的对其他风格的音乐有所了解，作为一名职业DJ，在学DJ初期都会接触一些 不错的类型风格音乐，其中就包含摇滚乐和电子乐，很多喜欢变形精钢的朋友我想都对林肯公园不陌生，他们的摇滚乐让这部好看的电影更添了几分色彩。
本期介绍的是“迷幻舞曲 Trance”，顶尖DJ学校收集整理了一些不同风格的音乐的介绍和示例，在此展示给大家互相交流，了解更多请百度“合肥顶尖DJ培训中心”！选择知名DJ学校，教学有保障，来合肥顶尖DJ学校！
迷幻舞曲 Trance
迷幻舞曲,由Techno演变而来,听了会让你有"出神"的感觉,但还是保有舞曲的律动 ,很注重Bass的表现 ,某些听了会有"催眠"的效果.拍子也是以4/4拍为主.
Trance音乐中有很多的电子合成器音色，节奏的变化很少，偶尔的用合成器的来区分节奏的变化。1998年左右，一些全球著名的DJ Paul Oakenfold、Pete Tong、Tong De Vit、Sasha和Judge Jules在英国的很多大型的俱乐部播放trance音乐，最终连美国也开始散布trance音乐，例如Christopher Lawrence。
Breaking out of the German techno and hardcore scene of the early '90s, Trance emphasized brief synthesizer lines repeated endlessly throughout tracks, with only the addition of minimal rhythmic changes and occasional synthesizer atmospherics to distinguish them -- in effect putting listeners into a trance that approached those of religious origin. Despite waning interest in the sound during the mid-'90s, trance made a big comeback later in the decade, even supplanting house as the most popular dance music of choice around the globe.
Inspired by acid house and Detroit techno, trance coalesced with the opening of R&S Records in Ghent, Belgium and Harthouse/Eye Q Records in Frankfurt, Germany. R&S defined the sound early on with singles like "Energy Flash" by Joey Beltram, "The Ravesignal" by CJ Bolland, and others by Robert Leiner, Sun Electric, and Aphex Twin. Harthouse, begun in 1992 by Sven Väth with Heinz Roth &Matthias Hoffman, made the most impact on the sound of trance with Hardfloor's minimal epic "Hardtrance Acperience" and Väth's own "L'Esperanza," plus releases by Arpeggiators, Spicelab, and Barbarella. Artists like Väth, Bolland, Leiner, and many others made the transition to the full-length realm, though without much of an impact on the wider music world.
Despite a long nascent period when it appeared trance had disappeared, replaced by breakbeat dance (trip-hop and jungle), the style's increasing impact on Britain's dance scene finally crested in the late '90s. The classic German sound had changed somewhat though, and the term "progressive" trance gained favor to describe influences from the smoother end of house and Euro dance. By 1998, most of the country's best-known DJs -- Paul Oakenfold, Pete Tong, Tony De Vit, Danny Rampling, Sasha, Judge Jules -- were playing trance in Britain's superclubs. Even America turned on to the sound (eventually), led by its own cast of excellent DJs, including Christopher Lawrence and Kimball Collins.
Trance音乐中有很多的电子合成器音色，节奏的变化很少，偶尔的用合成器的来区分节奏的变化。1998年左右，一些全球著名的DJ Paul Oakenfold、Pete Tong、Tong De Vit、Sasha和Judge Jules在英国的很多大型的俱乐部播放trance音乐，最终连美国也开始散布trance音乐，例如Christopher Lawrence。
Breaking out of the German techno and hardcore scene of the early '90s, Trance emphasized brief synthesizer lines repeated endlessly throughout tracks, with only the addition of minimal rhythmic changes and occasional synthesizer atmospherics to distinguish them -- in effect putting listeners into a trance that approached those of religious origin. Despite waning interest in the sound during the mid-'90s, trance made a big comeback later in the decade, even supplanting house as the most popular dance music of choice around the globe.
Inspired by acid house and Detroit techno, trance coalesced with the opening of R&S Records in Ghent, Belgium and Harthouse/Eye Q Records in Frankfurt, Germany. R&S defined the sound early on with singles like "Energy Flash" by Joey Beltram, "The Ravesignal" by CJ Bolland, and others by Robert Leiner, Sun Electric, and Aphex Twin. Harthouse, begun in 1992 by Sven Väth with Heinz Roth &Matthias Hoffman, made the most impact on the sound of trance with Hardfloor's minimal epic "Hardtrance Acperience" and Väth's own "L'Esperanza," plus releases by Arpeggiators, Spicelab, and Barbarella. Artists like Väth, Bolland, Leiner, and many others made the transition to the full-length realm, though without much of an impact on the wider music world.
Despite a long nascent period when it appeared trance had disappeared, replaced by breakbeat dance (trip-hop and jungle), the style's increasing impact on Britain's dance scene finally crested in the late '90s. The classic German sound had changed somewhat though, and the term "progressive" trance gained favor to describe influences from the smoother end of house and Euro dance. By 1998, most of the country's best-known DJs -- Paul Oakenfold, Pete Tong, Tony De Vit, Danny Rampling, Sasha, Judge Jules -- were playing trance in Britain's superclubs. Even America turned on to the sound (eventually), led by its own cast of excellent DJs, including Christopher Lawrence and Kimball Collins.
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